Showing posts with label Movie Review. Show all posts
Showing posts with label Movie Review. Show all posts

"Robin Hood" hits the bullseye | Robin Hood Movie Review and Rating

"Robin Hood" hits the bullseye

The Ridley Scott/Russell Crowe reincarnation of Robin Hood actually ends just where
you might expect it start. You can take any story or character you've come to know, at least from previous films of the hooded vigilante, and throw them out the window.
Most notable is the fact that, while Crow and his buddies were archers in King Richard’s army, that is about the extent of the archery in the film. There are a few scenes, including a to-be-expected sweet shot to finish the film off, but Crowe is more into swordplay here. There is the implication that bow and arrow are more suitable for an outlaw, as a stealth weapon. Of course, Crowe doesn’t play an outlaw in this film, either.
But it is exactly seeing all these familiar characters in such a different light that makes this Robin Hood rehash so fun to watch. Robin Longstride, later to become Robin Loxley, has deserted the army after 10 years of war, searching for a new life; Prince John (Oscar Isaac) is mildly humorous with some admiral fight in him, who also possesses other endearing qualities, Marion Loxley (Cate Blanchett) is the formerly wealthy wife of a landowner, but now mostly a poor farmer; the Sheriff of Nottingham (Matthew Macfadyen) is negligent - sniveling and without power; and Nottingham itself is an unknown city. Though Mark Strong, playing the villain Godfrey, does pay homage to its future fame, borrowing from Billy the Kid when he says, "I'll make the town famous."
The story takes us with Robin Longstride on his quest to return the sword of a fallen soldier to its owner, the soldier's father, Sir Walter Loxley of Nottingham. It is a fools quest, but Robin is entranced with the writing on the hilt of the sword, and desperate to understand the meaning from the mouth of the sword's owner. What awaits Robin in Nottingham, however, is a vision into his forgotten past, and a paved (though often blocked by many who wish him dead) road to his future.
Crowe is more of a scrapper in the film, not yet filling the boots of leader and outlaw. But seeing him working to that end, following the transition, makes the character relatable and enjoyable to watch.
While Strong offers a somewhat typical, overly evil and over the top bad guy, we don't really care much about him and his stagnant character. We're watching Prince John balance his desire for power with a desire to be a hero warrior and loved by his people. We're watching Friar Tuck (Mark Addy) begin crossing the line to aid the outlaws. We're watching the French invade England, Little John (Kevin Durand) find love and the formation of Robin's merry band of thieves.
Laid to rest are my fears that Crowe and director Ridley Scott were creating a medieval "Gladiator." Instead they created a "Batman Begins" type story for one of the most famous outlaws ever to live. 19th Century England will never be the same.
As long as you watched "Iron Man 2" last weekend, this is the only choice for you weekend trip to the theater. And you'd better see it soon, because this summer has so much more in store.
RATING: HOT (4.5 of 5)
"Robin Hood" is rated PG-13 for violence including intense sequences of warfare, and some sexual content. Running time 140 minutes.

Housefull Movie 2010 Review

Housefull Hindi Movie – Houseful Movie Review – Comedy Kings are back in House Full 2010 Movie


Once again, comedy kings are back in Housefull 2010 movie. Housefull is a new Hindi movie of Bollywood in the direction of Sajid Khan. House Full movie releases on 30th April, 2010 in Indian theaters.

Akshay Kumar as Arush, Riteish Deshmukha as Bob, Arjun Rampal as Major Krishna Rao, Lara Dutta as Hetal, Jiha Khan as Devika, Randhir Kapoor as Kishore Samtani, Chunkey Pandey as Akhiri Pasta, Boman Irani as Batuk Patel, Lilette Dubey as Zulekha and Malaika Arora as Pooja are the leading casts of Houseful Hindi movie.

House Full movie is presented by Eros International. The film is produced by Sajid Nadiadwala’s. Co-producer of the movie is Andrew Heffernan. House Full Hindi film is introduced by the Nadiadwala Gradson Entertainment Ltd. Production. Music of Houseful movie is composed by Shankar-Ehsaan-Loy.

Official website of Housefull movie, housefullthefilm.in writes about the film synopsis, “‘HOUSEFULL’ is a romantic comedy entertainer which narrates the story of Aarush – the world’s unluckiest man. Being jinxed he believes his bad luck can vanish if he finds true love. In this quest for true love how one lies leads to another and how different people from different walks of life come together adding even more confusion to his hilarious comedy of errors resulting in total chaos and mayhem. As Deepika tells Akshay in the film ‘JIS JHOOTH SE KISSI KA GHAR BASTA HO, VOH JHOOTH JHOOTH NAHIN HOTA’.”

Housefull Hindi movie is a romantic comedy which narrates a story about the world’s unluckiest man – Aarush. He is under the bad luck. His bad luck can turn into good luck if he finds a true love.

Story of Housefull 2010 movie reveals around comedy and hilarious confusion during the quest for true love. In the result, the movie introduces total chaos and mayhem. Now, there is a question – is Housefull a new version of All The Best movie?

Housefull is not a new name in film industry. There is already many movies on the same name - Housefull (2010 Telugu film), Housefull (2009 Kannada film) and Housefull (1999 Tamil film). We already have watched a drama serial also with the same name - Housefull (2008).

Now, there is also a question – how different Housefull 2010 Hindi film from others? Yes, answer of the question can be gotten in the cinemas on 30th April, 2010.

Director of Housefull movie - Sajid Khan has again tried to introduce the comedy team of Heyy Babyy movie with a small change. However, Heyy Babyy was a remake of an American comedy movie.

After the failure of Chandni Chowk to China, 8 X 10 Tasveer, Kambakkht Ishq, Blue and De Dana Dan - Akshay Kumar is again back with a new comedy – Housefull 2010. However, his character in Housefull Hindi movie is very similar to Garam Masala and Deewane Huye Paagal.

On the other hand, Houseful Hindi film gives the best chance for Ritesh Deshmukh and Arjun Rampal also. It is the big time for Arjun Rampal because comedy is very difficult for him.

There is no doubt about Ritesh Deshmukh because he has already proved himself as a comedy actor. BOMAN IRANI is another comedy king for Houseful 2010 film. Similarly, JIAH KHAN has also to prove herself in comparison of DEEPIKA PADUKONE and LARA DUTTA.

Script of Houseful movie is very close to Do Knot Disturb movie. Arush’ friend - Ritesh Deshmukh helps him to hide his secret.

The most popular song of Housefull 2010 movie - “I Don't Know What To Do” is a new version of "Hum Bane Tum Bane" song of Ek Duuje Ke Liye movie. Overall, music of Housefull Album has gotten the biggest popularity by "Papa Jaag Jayega" soundtrack.

In a recent interview, Lara Dutta reveals about Housefull movie – “‘Housefull’ is a comedy about mistaken identities and people coming together to help each other. It gives out the message of looking after the people who really matter to you in life and protecting them. It’s a fun filled film as you can make out from the promos. It’s a mad-cap comedy, but not a ‘mind-less’ comedy. It is not like other brainless comic movies. The plot is extremely delicate and you have to pay proper attention to it or you will loose the link.” She talked to TOI, an online news portal.

Lara Dutta is playing a character of Gujarati girl - Hetal Patel in the movie. House Full is a big-budgeted Hindi movie of Bollywood. Every casts have great expectation with this movie. Audiences are also waiting to watch a match of Akshay and Deepika in comedy role.

Houseful word derives from entertainment world. It is used for superb and blockbuster movies. The word has been taken by Housefull 2010 movie to entertain audiences with the biggest blockbuster. Housefull film has been shot with the entire cast over four countries England, Italy, Hong Kong and India. It is the second blockbuster of Eros International after Paathshaala movie. Check out the biggest comedy Hindi movie - Housefull this weekend in your nearest theaters on 30th April, 2010. The movie brings back comedy kings with the biggest entertainment.

Rann Movie Review Rating By Taran Adarsh a

Rann Movie Review Rating By Taran Adarsh


Ramgopal Varma is itching to tell a new story in his movies. You may garland him for his efforts or loathe him if you feel letdown, but you need to hand it to him for picking up stories that defy stereotype.

This time, in RANN, the maverick film-maker does an expose on the games the heavyweights in the media play to further their interests. RGV goes into the newsrooms and also behind it and throws light on the politician-industrialist-media nexus. Also, it's an insider's account of how news channels that are greedy for ratings sensationalize stories to grab eyeballs.

On surface, you don't want to know what goes behind the scenes and how, at times, news are 'created' by vested interests. But RANN scratches the surface and opens a can of worms. RANN also mirrors the fact that just like there are good and bad people in every field, there're some rotten ones in the media too who succumb to temptations and create news to climb the ladder of success.

RANN is a serious film and RGV knows what he's talking this time. It wouldn't be erroneous to state that you recall RGV's SARKAR while watching RANN, even though the two films are as diverse as chalk and cheese. You recall SARKAR because RANN is an equally powerful film that shows a world we've only seen from the exterior.

RANN is for those who enjoy serious cinema. It's more for the intelligentsia, for the thinking viewer. Definitely not for those who seek refuge in frivolous masala capers.

Vijay Harshvardhan Malik [Amitabh Bachchan] is the founder of a private news channel, India 24/7. A hardcore upholder of journalistic ethics, his channel is battling for survival. Jay [Sudeep], his son, looks at his father's news channel purely as a business enterprise that must make profits to justify its existence. He hates that his competition [Mohnish Bahl] is doing better than him.

The story takes a turn when a corrupt politician, Mohan Pandey [Paresh Rawal], decides to use the channel to his advantage by using Vijay's son-in-law Navin [Rajat Kapoor]. Pandey aspires to be the Prime Minister and indulges in a vicious campaign against his political opponent.

Navin is the most insecure man on earth and won't rest till he becomes the number one industrialist in the country. He, in turn, involves his brother-in-law Jay in Pandey's game plan.

film like RANN would fall into the pit if [i] its writing wouldn't be razor-sharp and [ii] the choice of actors would be incompetent. RGV's movies, generally, are embellished with competent actors who deliver super performances. In this film, every member of the cast shines in his/her role, the length of the role notwithstanding.

The writing is watertight and convincing. Besides, the subject matter has been presented in the most simplistic manner, which makes it easy to decipher. However, the episode showing Riteish's investigation tends to get confusing at one point, but the climax compensates for the minor hiccups here and there.

Amit Roy's cinematography is eye-catching. Dialogues are power-packed. In fact, one can identify with the well-penned dialogues. The background score plays a crucial role. It heightens the impact of various scenes.

Amitabh Bachchan is spectacular yet again, especially towards the finale. His speech and the way he delivers it are remarkable. Sudeep is terrific. To stand up to giants like Bachchan and Paresh Rawal is no mean achievement. Riteish is only getting better and better with every film. In fact, he surprises you constantly.

Paresh Rawal, seen in an RGV film after a long, long time, is at his vicious best. Rajat Kapoor is incredible. Mohnish Bahl gets the role of a lifetime and he sinks his teeth into it. This film should open new vistas for him. Gul Panag is natural and so easy on the eyes. Neetu Chandra does her part well. Suchitra Krishnamoorthy is too good. Rajpal Yadav contributes to some funny moments. Neena Kulkarni and Simone Singh are perfect for their parts.

On the whole, RANN is truly a well-made film. No two opinions on that. The film should be patronised by viewers of serious, sensible cinema. Recommended!

Ishqiya Movie Review Rating By Taran Adarsh

Ishqiya Movie Review Rating By Taran Adarsh


Movie : Ishqiya
Director : Abhishek Chaubhey
Cast : Naseruddin Shah, Arshad Warsi, Vidya Balan

Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, Ishqiya isn't the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In Ishqiya, you just don't know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.

Rating : Four stars

You need to have a strong stomach to absorb Ishqiya. It's high on drama, it's wild, it's real. But it's not dark, it's not sleazy, it's not crass. Frankly, you don't expect debutante director Abhishek Chaubey to make a stereotypical fare thanks to the tutelage by his guru Vishal Bhardwaj, who loves to swim against the tide and undertake risks in film after film.

You could call Ishqiya a distant cousin of Omkara. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. Yet, it's different than Ishqiya.

Final word? You can't help but fall in ishq with Ishqiya. Tired of sherbat? Try this spicy jaljeera for a change!

Two thieves, Khalujaan (Naseeruddin Shah) and Babban (Arshad Warsi), are on the run from their boss, Mushtaq. They seek refuge at a friend's house, but instead meet his widow, Krishna (Vidya Balan). The time spent together draws the duo to her, Khalu with his tinted vision of old-fashioned love and Babban with his lustful eye. But the past catches up with all three!

There's no denying that the promos had prepared me of the journey ahead, yet it took us a good 15-odd minutes to get into the world of Khalujaan, Babban and Krishna. But once you get sucked into their world, the blurred images start getting clearer and clearer and you become an active participant in their journey.

The first hour passes in a jiffy, but the story actually gets dramatic and volatile in its second hour. It's at this stage that things start getting more and more unpredictable. The story does a somersault every 10 minutes and by the time it reaches its finale, you're curious to know how the debutante director would conclude this saga. The end, of course, will have its share of advocates and adversaries, but the fact remains that it's offbeat.

Abhishek Chaubey is a welcome addition to the ranks of avid storytellers. His choice of the subject and also handling of the material is what makes this film so eminently watchable. Not once do you feel that Ishqiya has been helmed by a first-timer. Note the change of events in the song Dil To Bachcha Hain Ji or the kidnap drama and the heated argument that follows thereafter. Even the passionate lovemaking sequence between Arshad and Vidya has been dexterously canned.

However, Chaubey and his team of writers could've kept the writing simplistic towards the finale. It's complex and also lacks clarity. Yet, all said and done, screenplay writers Vishal Bhardwaj, Sabrina Dhawan and Abhishek Chaubey deserve kudos for coming up with a film that keeps you hooked for most parts.

Vishal Bhardwaj's musical score has his unmistakable stamp all over. The film is embellished with two lilting gems - Ibne Batuta and Dil To Bachcha Hain Ji - which are a rage with listeners already and have been juxtaposed beautifully in the plot. Mohana Krishna's cinematography is first-rate. Dialogues (Vishal Bhardwaj) are acidic and a few lines are indeed startling.

Ishqiya explores human emotions

Every actor in Ishqiya delivers a sparkling performance! Naseeruddin Shah is superb as a romantic. He is matchless in the sequence when he learns the truth about Vidya and Arshad. Arshad packs in a bravura performance yet again. Post Munnabhai films, Arshad should be liked in this one the maximum. Vidya continues to surprise. It's a dynamic performance undoubtedly. Paa and Ishqiya are two landmarks in her career.

The actors enacting the role of Jijaji, the kidnapped victim and Vidya's husband are all perfect. The child, who interacts with Arshad, is natural. In fact, every performance in Ishqiya is worthy of mention.

On the whole, Ishqiya is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.

Movie Review: Chance Pe Dance is annoying

Movie Review: Chance Pe Dance is annoying
Chance Pe Dance - Hindi Movie Trailer
Chance Pe Dance - Music Review
Chance Pe Dance - Cast and Crew
 

Cast: Shahid Kapoor, Genelia Dsouza and Arshad Warsi

Director: Ken Ghosh


There are three moments in Chance Pe Dance that I can't get out of my head. The first involves a small kid, digging his nose furiously, followed by a tight close-up of his booger. The second is that of a Parsi gentleman in a sudreh, scratching his hairy chest and armpits incessantly. The third is a scene in which Shahid Kapoor scrapes his nails against a blackboard, the shrill sound of which is deafening.

Evidently each of these scenes is intended to make you turn away, to be repulsed even. The thing is, director Ken Ghosh needn't have tried so hard. Chance Pe Dance is an annoying, exhausting film that entirely fails to entertain. ((pause)) Shahid Kapoor stars as Sameer Behl, a struggling actor chasing the Bollywood dream. He faces rejection every day, until finally his killer dance moves get a prominent film director to notice him and subsequently sign him up as the lead in his next film. Not much later, he is dropped from the film.

Sameer has no money for rent and finds himself living out of his car. He has no money for meals, and must take up a dance-teacher's job at a school. It doesn't take a genius to predict that he will lead his oddball students to victory in an inter-school dance championship, and depite all odds, he will become a movie-star after all.

Chance Pe Dance doesn't work because you feel no empathy for its protagonist. The film's writers -- if you can call them that, considering there is no script to speak of -- fail to invest even a hint of vulnerability in Sameer. Moreso, Shahid Kapoor's surface-level performance doesn't help convey the desperation his character's supposedly feeling.

The obligatory romantic track between Sameer and an upcoming choreographer (played by Genelia D'souza) is so random, it adds no dimension to the central plot. This is a film without any character arcs, or plot progression. To be honest, Chance Pe Dance is a film that probably started shooting before a script was ever written; a one-line idea that never developed into a complete story.

The dance portions here are impressively performed by Shahid Kapoor, but you could interchange each of the sequences and it would make no difference to the final film. Much of the blame for that must by shared by composer Adnan Sami who delivers an uninspired soundtrack of indifferent tunes.

Chance Pe Dance is only a little over two hours in running time, but feels much longer because the screenplay limps lethargically in no particular direction.

Of the cast, Genelia D'souza saddled with a half-baked role and left pretty much to her own devices, screeches through her scenes and strums up none of that buoyant energy one has come to expect from her. Shahid Kapoor for his part, makes too many faces throughout the film, and lets his chiselled abs and his nimble feet do the talking. Unfortunately, that's not enough.

I'm going with one out of five and a thumbs down for director Ken Ghosh's Chance Pe Dance; he borrows liberally from such Hollywood films as School of Rock and the Jessica Alba-starrer Honey. But with it's theme of a struggling actor's ultimate vindication, in the end I suppose Chance Pe Dance could be described as "Luck By Chance-For-Dummies". Although it would be a crime to mention the two films in the same breath!

Rating: 1 / 5

Mayank Shekhar's Review: Dulha Mil Gaya

Mayank Shekhar's Review: Dulha Mil Gaya

Dulha Mil Gaya
Director: Mudassar Aziz
Actors: Fardeen Khan, Sushmita Sen, Shah Rukh Khan
Rating: *

Donzai is the debonair of the West Indies, the cad who can’t commit. He throws away millions of bucks merely partyin’ for a livin’. The gate of his house has the imprint ‘D’ -- inside’s a pool full of white unknowns. He has bronze hair that changes colours, face that squares to the double chin, and a belly that doesn't show. He still walks around and lights up ciggies with a particular swagger. Fardeen Khan at best appears a parody even before attaining the fame of his normal self.

Sushmita Sen’s Shimmer, the diva, with love for a little dog. She’s a super-model of the Windies, who delivers husky instructions to her minions around, when she’s not changing costumes.

The hero walks to the "latreen” in DDLJ-aded Punjab for a simple, spectacled girl he must marry (and dump) to keep his dad’s inheritance. The diva takes on that orphan girl and turns her into a pretty temptress Donzai can only pine for.

Rakesh Roshan, in the ‘90s, could have made use of this before-interval, after-interval script. But then that’s already done. There are two more romantic scripts in here: a jobless DJ going through crisis with this girlfriend.

And then the deadly diva’s very own boyfriend: Shah Rukh Khan, make that in caps, thank you. He can buy off an entire bar along with its last drink; jump the ocean for his girl’s toy; dance in shades, and Pathani suits: a super-star made self-conscious, self-serious, self-self on every scene!

The mother’s diary is read out. The 'karva chauth' song’s been choreographed. Donzai’s been instantly tamed. Everything’s all over the place. Distributors are ecstatic.

I check my cellphone for the time yet again. The filmmakers could’ve checked for the year (they were making this film in as well).

VETTAIKARAN TAMIL MOVIE REVIEW 2009

VETTAIKARAN TAMIL MOVIE REVIEW 2009


Cast & Crew
Director: Babu Sivan

Producer: AVM Productions
Music Director: Vijay Antony
Release Date: 18 Dec 2009
Genre: Action - Drama
Language: Tamil
Certification: U/A


The Story : Vettaikaran is about an youngster who comes to Chennai for earning his livelihood. Over there, he comes across the baddies deteriorating the society and hatches plans to bash them down for the sake of innocents lives

Review:Vettaikaran movie is a must watch. Vettaikaran was one of the most awaited movie of Vijay in the year 2009.The movie stars actor Vijay and Anushka Shetty in the lead roles.
Vijay playes the role of an auto driver in the movie. His role reminds us of superstar Rajinikanth, who played the role of an auto driver in the hit Baasha. Actress Anuskha, Arundhati fame, plays the role of a medical college student.

Vettaikaran’s story is based in unwanted elements that needs to be removed from the society and the country. Who other than Vijay can fit in such a role? One by one he removes all those unwanted elements. Meanwhile he falls in love with Anushka, who comes from a middle class family. Both share a great chemistry, whether it’s fighting or romancing. Initially both fight every now and then, but finally they fall in love.

Expectations are high and people are hoping that Illayathalapathy’ Vijay lives up to their expectations.The movie is directed by Babu Sivan and produced by M.Balasubramaniam, B.Gurunath Meiyappan. Vijay Anthony has taken care of the music for the movie. Sun Pictures has the rights of Vettaikaran from AVM productions.

If you don’t get a chance to go to the theatres, do download the movie Vettaikaran.
A must watch movie.

Avatar Movie Review : Star Cast

Movie Review: “Avatar”; Cast: Sam Worthington, Zo Saldana, Stephen Lang, Sigourney Weaver; Director: James Cameron; Rating: **** -”Avatar” is a film that leaves you ‘nishabd’ (speechless).




James Cameron may have placed this story on a moon called Pandora with alien characters (known as Na’vi) that could have belonged to human race if not being double the size, a longer face, sharper features, blue body, white fluorescent marks on the face and tail at the back.
Still, emotions felt are just the same where Na’vis fight for their land, people, pride and right to live.
In a way, the story is no different from what locals may feel in any part of the world when outsiders make an attempt to make inroads into their land to gain hold of their resources. This is what happens to Na’vis as well when their peaceful existence is challenged with American troops entering their world to gain hold of precious minerals worth billions.
While they send one of their men (Sam Worthington) to Pandora by turning him into a Na’vi avatar so that he can understand the way of the natives and talk them into handing over their land, they also nurture a plan of their own.
With round of talks merely being a cover to understand how Na’vis feel and react, there is a deadly operation brewing in the background that would has a single point agenda of destroying and winning.
“Avatar” is an admirable effort because not even once viewers feel that it’s an ‘alien story’ (pun intended) being told. There is a love story brewing between Sam’s Na’vi avatar with the Pandora princess (Zo Saldana) and soon he discovers an altogether new world. Literally. He wages a battle of his own with support from a handful of friends from ’sky people’ along with tribe members and animals belonging to all shapes and sizes.

The story conveys that Cameron is a big fan of Bollywood films from the 60s and the 70s. Just like his last effort “Titanic” which was as Bollywood as it gets, even “Avatar” has quite a few Hindi film references if one starts plotting them on paper.
After watching “Avatar”, the question of paramount importance is - what does one pick and what is it that should be left behind the experience that goes by the name of “Avatar”?
Does one admire Cameron for the sheer vision that he has put to tremendous use in the making of “Avatar”? Does one pick up each and every frame in the film and start bisecting it for every pixel which has been designed to perfection? Or does one silently nod in approval for the familiar world of love, brotherhood, attachment, greed, misunderstandings and the ultimate reunion where spirit of togetherness is the ultimate winner?
In short, “Avatar” is not a film to be seen and then talked about. It’s one to be experienced.

Iron Man 2


Iron Man 2
Iron Man 2 Synopsis
Iron Man 2 In theatres May 7, 2010

This film has not yet been rated


Paramount Pictures and Marvel Entertainment present the highly anticipated sequel to the blockbuster film based on the legendary Marvel Super Hero "Iron Man", reuniting director Jon Favreau and Oscar nominee Robert Downey Jr. In "Iron Man 2", the world is aware that billionaire inventor Tony Stark (Robert Downey Jr.) is the armored Super Hero Iron Man. Under pressure from the government, the press and the public to share his technology with the military, Tony is unwilling to divulge the secrets behind the Iron Man armor because he fears the information will slip into the wrong hands. With Pepper Potts (Gwyneth Paltrow), and James “Rhodey” Rhodes (Don Cheadle) at his side, Tony forges new alliances and confronts powerful new forces.

Genre:
Action and Adventure
Official Site:
www.ironmanmovie.com
Director:
Jon Favreau
Cast:
Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke, and Samuel L. Jackson
Producer:
Kevin Feige
Screenplay:
Justin Theroux
Run Time:
Unavailable

The Avatar Primer

The Avatar Primer
The Avatar Primer: We Plan Your Double-Feature For You


The Avatar Primer: We Plan Your Double-Feature For You
Avatar is nearly here. It's been a long journey. The leaked treatment that's been floating around the internet for years. The ever-expanding budget rumors. The "Sam Who?" casting announcements. This Friday, fans and movie lovers everywhere will find out if all those years playing around underwater have inspired creative brilliance in James Cameron or just left him with a soaked head.
 

We've been celebrating the occasion across the site this week, with retrospectives on Cameron's career, looks back at advances in movie technology that lead up to Avatar, and even Mack's love letter to the cinematic use of the color blue. But there's one thing we haven't touched on yet, something fundamental to the fanboy experience: the movie marathon. I remember having friends over opening weekend of The Dark Knight to watch Batman Begins on Blu-ray before we all headed to the multiplex to get our minds blown. How many of us rewatched all three original Star Wars
films before lining up for The Phantom Menace, or revisited the classic Trek movies before checking out J.J. Abrams' version?



Of course, Avatar's a brand new universe, so we don't have any way to immerse ourselves in that world prior to having our ticket stub torn. Well, I suppose you could play the video game, but we wouldn't recommend that. Still, just because we don't have any prequels to play with doesn't mean we can't find a few flicks that pair well with Cameron's latest science fiction epic. We know you guys are busy, so we've done the work for you. Here are seven double-feature possibilities to get you stoked for your voyage to Pandora.


Warning: May Contain Minor Avatar Spoilers



Dances With Wolves

This should surprise no one. Everybody (ourselves included) has been making "Dances With Smurfs" jokes ever since the first images from the movie were released. And to hear the early reviews tell it, it's not an unfair comparison. Still, if you're going to crack wise, at least crack wise while well informed. Revisiting Kevin Costner's Oscar-winning 1990 epic will mesh tonally with Cameron's latest outing, plus it will leave you better equipped to be dismissive and petty once the inevitable online backlash against Avatar goes into full swing. It's win-win! It also doesn't hurt that Dances With Wolves is a pretty damn fine film, and Kevin Costner could probably use the residuals these days. Go for the Extended Cut they put out a few years back.



Or You Could Try...: Braveheart. Underdogs fighting against a much more powerful enemy force? Check. Thrilling action setpieces? Check. And hey, Mel Gibson even paints himself blue!



Piranha II: The Spawning

Everybody's got to start somewhere. For James Cameron, that somewhere was the 1981 flick Piranha II: The Spawning, his feature directorial debut. I'll be honest, I've never seen it, so we can all go on this journey together. But while I may not know much about Piranha 2: The Spawning, everything I need to know about it is summed up in that picture above. Flying piranhas, people! Flying. Freaking. Piranhas. Until somebody makes a movie about skateboarding grizzly bears with chainsaw hands, it's hard to get more awesome than flying piranhas. Pairing P2 with Avatar will perfectly bookend Cameron's career, letting you appreciate the artistry that went into the latter while getting a kick out of the sheer corniness of the former. Plus, for all you creative types out there, I dare you not to come away from this double-feature feeling inspired. Like I said, everybody's got to start somewhere, and I'm betting that latest draft of your novel or short film you thought was irredeemable crap will look a lot less dire in the cold light of Piranha 2: The Spawning. The DVD is out of print, but you shouldn't have too much trouble tracking down a rental.



Or You Could Try...: Battle Beyond the Stars. A young James Cameron worked on the special effects for this flick that came out the year before P2, and while it doesn't have flying piranhas, it does have The A-Team's George Peppard playing a Space Cowboy.



The Abyss

Still my favorite Cameron flick of all time, The Abyss is the underdog when it comes to his oeuvre, too often overshadowed by your Terminators and your Aliens. Aside from personal preference, it also pairs better with Avatar than any of his other films (excepting perhaps the aforementioned Piranha 2: The Spawning). Like Avatar, The Abyss is focused on the conflict that arises when humanity starts trying to exploit the home turf of strange creatures who are just trying to mind their own business. Like Avatar, The Abyss was at the forefront of advancing technology at the time -- remember the water tentacle? Like Avatar, The Abyss shares Cameron's focus on average, blue-collar folks just trying to do a job who get swept up in larger events -- in Avatar, they're soldiers, whereas The Abyss gave us undersea oil workers. All that being said, I dare Avatar to give me a villain anywhere near as fun as Michael Biehn's unhinged Lt. Coffey. It's still not out on Blu-ray, so make sure to get the director's cut, featuring a vastly superior ending to the theatrical cut.


Or You Could Try...: Aliens. It's hard to go wrong with Aliens. Before you watch Michelle Rodriguez do her best to channel Vasquez in Avatar, revisit the original. Just don't ask her if she's ever been mistaken for a man.


Star Trek

She's hiding under several layers of azure CGI, but this year's brand-new Uhura model, Zoe Saldana, is playing Neytiri, the main Na'vi that Avatar hero Jake Sully connects with. Between those two movies, the actress' career is likely to blow up in the coming days, so why not take another look at the role that introduced most of us to her this past summer? She was bold enough to embrace the iconic role and take in a new direction, truly making the character her own without disrespecting the classic work of Nichelle Nichols. Plus, this is the second movie in a row where her romantic tastes have extended beyond her own species, and you have to love a girl with some kink in her. Star Trek just hit Blu-ray and DVD a few weeks ago, so this is a perfect excuse to use one science fiction blockbuster to get you stoked for another. Plus, if you dig much deeper into Ms. Saldana's resume, you're just going to run into the likes of Drumline and Center Stage, and nobody wants that.



Or You Could Try...: Terminator Salvation. Sure, it's not a great movie, but for most of us, this was the one that answered the question of "Who the hell is Sam Worthington?" You'll probably see a lot of him in coming days thanks to Avatar and the upcoming Clash of the Titans, but this is where the breakthrough began breaking through. If nothing else, take it as an object lesson in what can happen to a James Cameron movie without James Cameron.



Enemy Mine

Standing proudly alongside The Abyss in the "Underappreciated Genre Movie Hall of Fame" is this buddy tale of a the burgeoning friendship between man and lizard. After space pilot Willis Davidge crash lands on a barren alien world, he goes from trying to kill one of his alien enemies to accepting a begrudging partnership in order to survive. As the years role on, that partnership grows to friendship and a mutual understanding of each other's culture. Like Avatar, Enemy Mine forces its protagonist to come to know his enemy as more than just a target or an opposing force, and to realize that they have far more in common than separating them. I remember watching the hell out of the old VHS copy of this that my dad had, and having revisited it not long ago, it still holds up remarkably well. Featuring great performances from Dennis Quaid as Davidge and Louis Gossett Jr. buried under tons of make-up as "Jerry," Enemy Mine is one of those rare Hollywood sci-fi outings that relies more on character and exploration of human nature than it does on flashy special effects. And I'm not ashamed to admit that I still tear up during at least two scenes, every single time.



Or You Could Try...: The Last Samurai. Me, I'll take Quaid over Cruise any day of the week. Gossett Jr. versus Ken Watanabe? That might be more of a toss-up.



Big

Body-swapping is a major plot point in Avatar, with wheelchair-bound Jake Sully being lured into traveling to Pandora by the prospect of walking again -- albeit in a body not his own (or even his own species). They might seem like a strange pairing at first, but both Avatar and Big ultimately deal with their protagonist's dissatisfaction with his own body, and a misguided belief that changing that body will solve all their problems. Big might get there by way of magic fortune-telling machine rather than test-tubes and DNA splicing, but there's plenty of tonal resonance to make this a great double-feature. Bonus points because it's an entirely different genre and style of movie, but they could feed into each other really well. On a related note, I think it would be awesome to watch a couple of Na'vi have a dance-off on one of those giant keyboards. YouTube, get on that.

Or You Could Try...: Face/Off. Because really, how often do you get to watch a guy with no face smoke a cigarette?


Star Wars, Episode One: The Phantom Menace

Avatar may fall victim to its own hype to some degree. Between Cameron's braggadocio, all the hullaballoo about the visuals, and the return of a legendary director, there's likely no way it can live up to all the expectations. Still, early reviews suggest it is, at worst, an ambitious and entertaining epic despite its inability to turn water into wine or cure your erectile dysfunction simply through the purchase of a ticket. But if you leave the theater feeling a little disappointed, just remember: it could be so much worse.


Or You Could Try...: Anything else. Seriously. Anything.

Saleem - Telugu Movie

Saleem - Telugu Movie Review



After watching the Telugu film Saleem, one is compelled to think how directors can churn out aimless and mindless formula entertainers by the dozen. There seems to be a paucity of good ideas and scripts in Telugu cinema. Some rejig is certainly required.
Saleem is one of those films that not only tests your patience but also is sans logic at times that it induces a yawn too. Director YVS Chowdhry has blindly fallen into the masala trap and dished out this unpalatable fare which has been in the making for quite a while.
The plot is as cliched as can be. Two warring families are trying to seek revenge. Singama Naidu (Napoleon) brings up his daughter Satyavathi (Ileana) in Europe as he feels her life is under threat from Appala Naidu (Mukesh Rishi). Despite his precautions however, Ileana is kidnapped by Appala Naidu's people. Saleem aka Munna (Manchu Vishnu) rescues her and promptly falls in love with her. She too pretends to fall in love with him but ditches him for Krish who happens to be Ojo (Mohan Babu's) brother. Ojo is a don settled in Europe who falls for his English teacher Kaveri Jha. The second half is the tussle between Ojo and Saleem.
There is no link between Saleem and Ojo. Nothing much is known about Saleem except for the fact that he is also a don like Ojo and an orphan. There are so many loopholes in the script that one just gives up trying to make sense. Unnecessary characters are added without any rhyme or reason or logic.
The camera pans on Ileana's body in the first few minutes of the film. Added to it is more vulgarity in the form of Ali's comedy.  There's even a duet between Mohan Babu and Kaveri Jha in itsy-bitsy outfits.
Sandeep Chowta's music also doesn't seem to work much. There are far too many songs which distract us from the narration. The negatives outnumber the positives. The plus points are the action sequences (by Vijay) and camera work (by Ramprasad). One is even tempted to walk out half way as some do.
Vishnu looks dapper with his lean look and makes an earnest attempt to do his best which he does in some sequences. Ileana is the lifeline of the film and is able to captivate the audience with her charming and innocent looks, and lots of skin show. Mohan Babu is his usual self. But what can these actors do in a badly and illogically written script? They can't really salvage such a pedestrian and banal film.
YVS Chowdhary can't take the audience to be so dim-witted to be giving this sort of insipid fare. Everything about the film is unexciting and below average. Watch Saleem at your own risk.

Rocket Singh - Salesman of the Year : Movie Review

Rocket Singh - Salesman of the Year : Movie Review

Movie Review: Rocket Singh - Salesman of the Year


Director: Shimit Amin
Cast: Ranbir Kapoor, Gauhar Khan, Manish Chaudhary,Shahzahn Padamsee
Rating: ****


Rocket Singh is quite relatable in recent times. Half the day one gets uncalled-for calls from salesmen wanting to sell us products from the world. And in the other half almost every employee in any organization dreams of starting his own company like his workplace. Rocket Singh combines these common-man conflicts to come up with a compelling narrative.

Harpreet Singh Bedi (Ranbir Kapoor) has always been a below average student and post graduation he desires to be a salesman. He joins as a trainee in a company that sells computers but goofs up in an early deal that invites him abuse by bosses and ridicule by colleagues. Relegated to his desk, Harpreet is restricted from going on field and realizes that his ideologies are not in sync with the so-called professionals of today. Soon he thinks of a way to get even with his boss Puri (Manish Chaudhary) and starts his own secret sales and service agency while continuing to work in his existing company.

Though not designed likewise, Rocket Singh kinda starts where Wake Up Sid ends. The protagonist has just completed his graduation, has gained a sense of responsibility and is all raring to go in life. Ranbir Kapoor graduates both in terms of his character and as an actor.

When the film is in the hands of a smart writer and skilful director, it can never go wrong. Rocket Singh has the correct combo of writer Jaideep Sahni and director Shimit Amin who team again to come up with another winner after Chak De India. Jaideep Sahni works towards sketching every character to real-life precision. And though these characters are extremely ambitious in pulling off clandestine commerce right under the eye of their boss, Sahni doesn’t make the screenplay look larger-than-life at any point.

The trademark elements of Sahni’s scripting style can be sensed in the writing of Rocket Singh as well. On the lines of the team-building of Chak De India, Harpreet puts together a team for his undercover company. And like the ethical conning in Khosla Ka Ghosla, this team also tricks its competitor company, where interestingly they are employed. The detailing towards establishing the protagonist’s changing conflicts comes out convincingly in the screenplay. The dialogues are wonderfully effective with a witty punch in every line and a non-preachy management mantra in another.

While any sales person or an average office executive can effortlessly identify with the setting of the film, director Shimit Amin doesn’t restrict the audience till them. He works more towards the human angle giving the film a universal appeal, while retaining its office authenticity. Harpreet’s field induction scene is smart and sassy. The pre-interval scene where boss Puri mocks and degrades Harpreet for his mess up is poignant. Like in Chak De India, Shimit thankfully refrains from the regular Bollywood tendency to liberally work out a parallel romance track. There is a love story which is kept short-n-sweet and is briskly defined through a transition song.

Salim-Sulaiman limit the soundtrack to a couple of tracks which are either employed as transition songs or played in background, thereby not interrupting the flow of the film. Vikash Anshum’s cinematography and Arindam Ghatak’s editing are just perfect. Niharika Khan dresses Ranbir Kapoor in formal pastel clothing and colourful turbans making him look like the coolest Sardar ever on Indian screen.

Rocket Singh offers Ranbir Kapoor immense range, as the character takes lead over the actor. He is perfectly poised in one of his best performances so far. The character-driven story doesn’t let Ranbir overshadow the supporting cast, each of who gets good scope. D Santosh is hilarious as the hardware service agent and gets the best repartees. Mukesh Bhatt as the office clerk is funny. Navin Kaushik as Nitin, the senior sales manager reminds of Raghu from Roadies for his cheekiness and is brilliant. Manish Chaudhary in a confident-personified act comes across as one of the most efficient negative leads in recent times. The one item-number-old Gauhar Khan surprises with an amazing natural performance and is a talent to look forward to. Shazahn Padamsee is charming but remains almost parallel to the plot and doesn’t get much scope.

A line from the film states, “Risk toh Spiderman ko bhi lena padta hai, main toh phir bhi Salesman hoon” (Even Spiderman has to take risk, I am just a Salesman). The makers have taken as much risk to sell a not-so-regular story to the audiences. And it has paid off pretty well.

Rocket Singh – Salesman of the Year is one of the most rocking films of the year.

Raat Gayi, Baat Gayi - Sexy Promotion

 Raat Gayi, Baat Gayi - Sexy Promotion



Any Press kit can’t get sexier than this! The press kit which was till now just a simple tool to share the film information with the media has become creative with ‘Raat Gayi, Baat Gayi’. The reason being Pritish communication and Mirah entertainment who have included some interesting items in the press kit like Durex Condoms, Contraceptive pills, Party smart capsules, Tang energy drink, Happydent wave-2, and a Disprin tablet.
Before unveiling this press kit, the producer and presenter of the film Pritish Nandy said, “This kit is above average and will shock you for a moment. Besides that, I’m sure this will be a unique press kit you have received”
Slated to release on 31st December, 2009, the film recently won the Best Film Award at HBO’s New York SAIFF and features Rajat Kapoor, Vinay Pathak, Ranvir Shorey, Neha Dhupia and Dilip Tahil.

New In Town Movie Review, Rating, Cast

New in Town is excruciatingly predictable

THUMBS DOWN: This romantic-comedy is about a high-powered executive from Miami.Cast: Renee Zellweger

Direction: Jonas Elmer

A foot massage, cleaning out your cupboard, perhaps some alone time with bubble-wrap. These are just a few things you could be doing that I absolutely promise will give you more joy than watching the Renee Zellweger starrer New In Town.


It's an excruciatingly predictable romantic-comedy about a high-powered executive from Miami (played by Zellweger) who's dispatched to a cold and snowy small town in Minnesota to downsize a yoghurt manufacturing plant.


Adhering faithfully to the feel-good rom-com guidebook, our protagonist first finds the place unsophisticated and dull, but love blossoms, and soon she is relishing the small-town life.


With gags involving freezing temperatures that result in stiff nipples, and factory workers indulging in a sloppy tapioca food-fight, New In Town strains for genuine laughs. In place of characters you get your standard stereotypes, and Zellweger herself – once a fine comic actress – brings neither warmth nor cheap giggles.


This is that rare comedy that has but one comic moment – the one in which Zellweger arrives at work the morning after accidentally shooting a man in his backside, only to be greeted by a whole factory floor of workers sporting dartboards on their bottoms.


I'm going with a generous one out of five for New In Town. Seriously, clip your toenails instead of wasting your time on this film.


Rating: 1 / 5

Ninja Assassin Movie Review

Ninja Assassin Movie Review:Cutting All the Fun out of Martial Arts


ninja_assassin_review_banner
I’m not going to over-simplify and proclaim that making a good ninja movie is the easiest thing in the world. But I never would have guessed that doing so is as difficult as James McTeigue’s Ninja Assassin makes it appear. This is a big-budget movie with a top-flight crew and a star blessed with undeniable magnetism, not to mention the R-rated freedom to provide the copious blood and gore that so many genre fans crave. Yet it plays no better than a cheap direct to DVD feature. Ninja Assassin is a forgettable throwaway, a waste of creative talent and the audience’s time.
Like a relic from old Hollywood, only with a lot more blood, the film exists as a would-be star-making vehicle for the Korean actor/pop star Rain, who impressed the Wachowskis and producer Joel Silver while working on Speed Racer. The biggest surprise of this film is that, with respect to their estimation of Rain’s potential, Silver and the Wachowskis weren’t out in left field.  Rain has the raw physical prowess to make a career as an action star, and while there’s nothing in Ninja Assassin to say he can actually act, his strong silent persona here should be enough to carry a film or two.
Then again, it doesn’t carry Ninja Assassin. But I’m not sure anything could.
Legend has it that this shooting script is the result of J. Michael Straczynski rewriting a previous script draft in 53 hours. That feels generous; I would have guessed he penned the movie over lunch. What we’ve got is the origin story of a ninja, played by Rain, and the intertwining tale of two Europol agents who attempt to investigate and bring down a modern clan of shadowy killers in black pajamas. The story is merely an excuse for bloodshed, a fact underlined every time the agents Mika (Naomie Harris) and her superior, Ryan (Ben Miles) pause to cough up inane dialogue.
The overly grim bare-bones story doesn’t kick in until after a bait and switch opening promises more gratuitously gore-soaked action than the movie is able to deliver. A ninja attacks a room full of Yakuza wankers; the first swordstroke cuts a man’s head in half. The slice is an adrenaline jolt; that execution of an unflinching dismemberment plan is all we’re really here to see.

Old Dogs Movie Review, Trailor

Movie Review: 'Old Dogs'




"Old Dogs" is stupefyingly dimwitted. What were John Travolta and Robin Williams THINKING of? Apparently, their agents weren't perceptive enough to smell the screenplay in its advanced state of decomposition, but wasn't there a loyal young intern in the office to catch them at the elevator and whisper, "You've paid too many dues to get involved with such crap at this stage in your careers."

Williams and Travolta play business partners trying to float a big deal with Japan. Meanwhile, they're saddled with baby-sitting 6-year-old twins. Be sure your seat belt is visible on the outside of your blanket; you will be awakened for breakfast when this flight is about to land.

The film makes a big business meeting with Japanese investors a study in laugh-avoidance. The Japanese line up on one side of a table in a Las Vegas Japanese restaurant, and Travolta, Williams, their partner Seth Green and a translator are on the other. Travolta tries to warm them up with the funny story of how Williams just got divorced twice in the last 24 hours. The Japanese sit stony-faced. So do we. Then Travolta gets to his big finish, and the Japanese break into helpless laughter. My theory: Since almost all Japanese businessmen in Vegas speak English, they've been playing a practical joke.

This film seems to have lingered in post-production while editors struggled desperately to inject laugh cues. It obviously knows no one will find it funny without being ordered to. How else to explain reaction shots of a dog responding to laugh lines? Or the painfully obvious use of music as glaring as a yellow highlighter to point out comedy? Example: Rita Wilson gets her hand slammed by a car trunk, and the sound track breaks into "Big Girls Don't Cry."

Another clue is when characters break into bad sitcom dialogue. After the Old Boys end up at camp with their young charges, a muscular counselor (Matt Dillon) asks them, "You girls ready to play a little Ultimate Frisbee?" Williams: "I think so, Mr. Testosterone."

Another clue: "Funny moments" repeated in case we missed them. Example: Robin Williams test-drives a buckled-on, back-mounted device that allows him to fly. It loses power and he drops into a pond. Wow, that was funny! Wait! Here it is again! Same drop, new angle! Twice as funny! Oh, no! A third drop! Ohmigod! Wait -- wait -- a FOURTH time? Usher, quick! Bring me oxygen!

Seth Green is not a tall man. But hell, he's only 3 inches shorter than Robin Williams. In this movie, you'd think he was Danny DeVito. He ends up wrapped in the arms of a gorilla. Never mind why. Doesn't matter. First Law of Movie Gorillas: Guy in a gorilla suit is never funny, unless the joke is on him.

To save himself from the enormous beast, Green sings a soothing lullaby. The gorilla dozes off peacefully. Hey, that's good! That's very good! Green gently tries to extricate himself from the gorilla's embrace. Nothing doing! Green desperately starts crooning again. Just think. If the gorilla wakes up, Green will be crushed to death! Man, oh, man!

The release of "Old Dogs" was delayed from April until now because of the death of another of its co-stars, Bernie Mac. I can think of another way they might have respected his memory.

Armored (2009) Released Next Week

Armored (2009) Released On 4th December, 2009

Armored (2009) Poster 




 Armored (2009) Released On 4th December, 2009
A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.


Production Status:
In Production/Awaiting Release
Logline:
A young armored car guard is persuaded by his veteran cohorts to empty the truck of its $10 million.
Genres:
Action/Adventure, Drama and Thriller
Release Date:
December 4th, 2009 (wide)
MPAA Rating:
PG-13 for sequences of intense violence, some disturbing images and brief strong language.
Distributors:

Screen Gems

Production Co.:

Farah Films & Management, Stars Road Entertainment

Studios:

Screen Gems

Filming Locations:

Los Angeles, California, USA

Produced in:
United States

Arya 2 Review, Trailer, Songs

Arya 2 Review, Trailer, Songs
 http://hindimoviesong.net/Blog/wp-content/uploads/2009/11/arya-2-songs-free-download.jpg

Director Sukumar's much awaited flick Arya 2 is all set to hit the theatres today. The movie Arya2 has already hogged limelight for being a sequel of Arya in 2004.
Arya 2 Cast:

Allu Arjun as Arya
Kajal as Geethanjali
Navdeep as Ajay
Shraddha Das as Shanti

Arya 2 review:

The story begins with a two childhood friends Allu Arjun and Navadeep. The duo involve in competition in every aspects of life. Navadeep has always a desire to beat Bunny (Allu Arjun) in a competition. But Bummy emerges victorious all the time and keeps ahead from Navadeep.

Later, both enter in professional life after joining a corporate company. Suddenly, Kajal Agarwal enters into their life and duo falls in love with her. Shraddha Arya 2 is also there along with the heroine obviously.

Navadeep takes the first step and asks Bunny to help him to adore the girl. Allu sacrifice his love for Navadeep and helps him out. Some intellectual tricks helps Navadeep to attract Kajal. But latter Allu realises that actually Kajal loves him.

And the suspense part of the movie starts with this. If you want to know who will marry Kajal go and book your ticket.

The music of the movie has already been hit. Bunny will be emerged as a best dancer in South Indian movie with Arya2. He performed superbly in the movie. His funny tricks will make your blast in laugh.

On the other hand, Kajal Agarwal has been maturing day by day after her debut movie 'Chandamama' Kajal is looking more sizzling in Arya2.

Arya 2 Songs:
  1. Mr.Perfect 
  2. Uppenantha | 
  3. Baby He Loves You
  4. Ringa Ringa
  5. Karige Loga
  6. My Love Is Gone
  7. Karige Loga (D-Plugged)
  8. Mr.Perfect (DSP Mix)

Arya 2 Trailer:






De Dana Dan Review at a Glance

De Dana Dan Review at a Glance



A word about...

Story: Thankfully this Priyadarshan slapstick has some story appended to it. The second half is loosely inspired by the 1992 Hollywood flick ‘ Blame it on the Bellboy ’ which was remade in Bollywood just a year ago as ‘ One Two Three ’. The deluge sequence in the climax is inspired from another Hollywood flick ‘ The Towering Inferno ’ (1974).

Music: Pritam’s music is quite outdated this time and every song is forced into the narrative. Salim-Sulaiman’s background score is loud and at several instances overshadows the dialogues.

Performances: Akshay Kumar repeats himself but is funny at times. Sunil Shetty seems jaded and uninterested. Paresh Rawal hams. Archana Puran Singh is in the Masti mould. Manoj Joshi goes over the top. Johnny Lever gets the best sequences and is clearly the scene-stealer. Rajpal Yadav and Asrani are equally hilarious. Katrina Kaif looks pretty. Sameera Reddy and Aditi Govitrikar can’t act. Neha Dhupia is better amongst the females. Chunky Pandey is non-existent. Vikram Gokhale looks miscast in comedy, which he has probably attempted for the first time.

Dialogue: For a comedy, the dialogues are pretty lame with not sufficient punches or one-liners.

Cinematography: With a major part of the film being shot inside the hotel, the camerawork isn’t much demanding and K Ahambaram does well as the cinematographer.

De Dana Dan Movie - Review - Rating - StarCast

De Dana Dan Movie - Review - Rating - StarCast


De Dana DanStar Cast : Akshay Kumar as Nitin, Sunil Shetty as Ram and Katrina Kaif
as Anjali, Sameera Reddy, Paresh Raval

Direction : Priyadarshan.


De Dana Dan Movie Rating: 3.5 / 5

De Dana Dan Movie Review:

De Dana Dan almost marks a decade of the end of the sensitivity and sensibility of director Priyadarshan who switched on to commercially driven comedy capers post the success of Hera Pheri . De Dana Dan also almost marks a decade of the widespread acceptability that the slapstick genre has gained in scarcity of sane comedies.

Going by its casting, do not expect De Dana Dan to be a sequel, tribute or extension of the Hera Pheri series. Forget the threesome chemistry, there is hardly a single frame in the film where the trio of Akshay Kumar, Sunil Shetty and Paresh Rawal share screen space. Except of course for the trademark Priyadarshan style chaotic climax where again their chemistry is diluted (literally through flooding fuss) as the entire cast joins them for more commotion.

Nitin Bankar (Akshay Kumar) is a driver under debt and Ram Mishra (Sunil Shetty) is a courier boy who hasn’t delivered much in life. Though both have already assigned girlfriends (Katrina, Sameera) for them, the film still takes too long to come to point. Money is the need of the hour and so Priyadarshan does some hera pheri in the story – which means a kidnap. Just this time the duo kidnaps a canine and you wonder if the film is going to the dogs.

As you try to keep a count on the ever-increasing character artists, the entire cast checks-in a five star hotel. Soon the story takes the shape of the 1992 Hollywood flick ‘ Blame it on the Bellboy ’ which was remade in Bollywood just a year ago as ‘ One Two Three ’ (and also starred Sunil Shetty and Sameera Reddy). A comedy of errors ensues with characters doing Bhagam Bhag throughout the hotel.

Call it a ‘wardrobe’ disaster but Akshay Kumar is locked in one for practically an hour of the film’s runtime. With a seemingly lost Sunil Shetty and a screeching loud Paresh Rawal, it’s left up to the character artists to save the ship. But a flood is induced in the climax as the director seeks inspiration from another Hollywood flick ‘ The Towering Inferno ’ (1974) with each character going down the drain.

As the name suggests, De Dana Dan is a quickie flick which is hastily written, rapidly filmed, has swift storytelling and speeding characters giving you no time to breathe, gasp, feel, absorb react or relate. The film takes time to kick-off and nothing much happens in the first half. The second half gains momentum with cross-connections of characters inside the hotel. The more you attempt to keep a track of the individual tracks, the more it confuses you. The less you try to join the links, the more it binds you.

What could have been the USP of the film, acts against it with the comic chemistry of Akshay-Paresh-Sunil clearly missing. In fact the other character artists add more value to the film varying from the deafening ones (Archana Puran Singh, Manoj Joshi) to the hilarious ones (Johnny Lever, Rajpal Yadav, Asrani). Undoubtedly the humour is loud and noisy but this slapstick is appended with some story (Suresh Krishanan). Unfortunately for a comedy, the dialogues are pretty lame with not sufficient punches or one-liners.

Pritam’s music is quite outdated this time and every song is forced into the narrative. Salim-Sulaiman’s background score is loud and at several instances overshadows the dialogues. With a major part of the film being shot inside the hotel, the camerawork isn’t much demanding and K Ahambaram does well as the cinematographer. The art direction (Sabu Cyril) and SFX (Red Chillies) effects for the deluge sequence in the climax are well executed though it doesn’t contribute much to the film. For a comedy, De Dana Dan is considerably long at almost 3 hour runtime and could have been more crisply edited.

Akshay Kumar repeats himself but is funny at times. Sunil Shetty seems jaded and uninterested. Paresh Rawal hams. Archana Puran Singh is in the Masti mould. Manoj Joshi goes over the top. Johnny Lever gets the best sequences and is clearly the scene-stealer. Rajpal Yadav and Asrani are equally hilarious. Katrina Kaif looks pretty. Sameera Reddy and Aditi Govitrikar can’t act. Neha Dhupia is better amongst the females. Chunky Pandey is non-existent. Vikram Gokhale looks miscast in comedy, which he has probably attempted for the first time.

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